The first stop of the evening for many party-hoppers is the Recording Academy's official after-party, known as the Grammy Celebration. Held at the Los Angeles Convention Center immediately following Sunday’s award show, the 5,000-attendee event was produced by Branden Chapman, executive in charge of production and chief business development officer of the Recording Academy, along with Angel City Designs, which handled design, decor, and logistics.Photo: Sean Twomey/2me Studios
Not only had some of music’s biggest names (Taylor Swift, Drake, Beyoncé, and Lady Gaga, to name a few) planned to skip the January 26 event, but the Recording Academy was mired by its own tension: Just 10 days prior, C.E.O. Deborah Dugan was placed on administrative leave. Dugan, in turn, filed a discrimination claim alleging sexual harassment and a corrupt voting process.
Then on Sunday morning, the former Los Angeles Lakers star—who spent most of his 20-year career playing at the Staples Center, also home to the Grammys—passed away in a crash that also killed his daughter and seven others. Comparisons were made to Whitney Houston’s unexpected death the day before the 2012 ceremony, when producers scrambled to add a tribute to the six-time Grammy winner.
Bryant was honored at the start of the ceremony with a song from host Alicia Keys and Boyz II Men, and his jerseys were illuminated in the Staples Center throughout the evening. Many top artists skipped the red carpet entirely out of respect, and the venue’s surrounding areas were filled with thousands of fans who came out to mourn the athlete.
But the show, of course, went on. The broadcast—the final one from 40-year executive producer Ken Ehrlich—took a surprisingly nonpolitical tone, with presenters and winners largely avoiding addressing the Recording Academy controversy in favor of generic messages of unity and tributes to Bryant and the late L.A. rapper Nipsey Hussle. Teenage singer-songwriter Billie Eilish swept the night’s major categories, becoming the first artist to do so since Christopher Cross in 1981.
The after-parties, on the other hand, remained as glamorous as ever. Highlights included the Recording Academy’s own massive, North Africa-inspired bash, plus Steven Tyler’s star-studded viewing party that raised $2.4 million for his Janie’s Fund charity. Roc Nation, Warner Music Group, and Universal Music Group also hosted design-forward gatherings around town. Scroll down for a look inside these and other events from music's biggest week.

![This year's celebration was inspired by North Africa; it featured Moorish architectural details and a Morocco-inspired menu. Decor evolved throughout the evening, explained Chapman in a pre-event interview with BizBash. 'This year, we [started] with a more formal look and feel to the costuming and ambient performances inspired by the 1940s feel of Casablanca, then evolved into a more risqué nightlife as the evening progressed with more authentic present-day costumes and performers.'](https://img.bizbash.com/files/base/bizbash/bzb/image/2020/01/20200126A_0179_HDR.5e2f3841192f2.png?auto=format%2Ccompress&q=70&w=400)
























